FIRST December spotlight: Bryan Davis' Eye of the Oracle

It is December 1st, time for the FIRST Day Blog Tour! (Join our alliance! Click the button!) The FIRST day of every month we will feature an author and their latest book's FIRST chapter!

This month's feature author is:

BRYAN DAVIS

and his latest book:

Eye of the Oracle

Bryan Davis is the author of the four book Dragons in Our Midst series, a contemporary/fantasy blend for young people. The first book, Raising Dragons, was released in July of 2004. The second book, The Candlestone, followed in October. Circles of Seven debuted in April of 2005, followed in November by Tears of a Dragon.

Bryan is the author of several other works including The Image of a Father (AMG) and Spit and Polish for Husbands (AMG), and four books in the Arch Books series: The Story of Jesus' Baptism and Temptation, The Day Jesus Died, The Story of the Empty Tomb (over 100,000 sold), and Jacob's Dream. Bryan lives in Winter Park, Florida with his wife, Susie, and their children. Bryan and Susie have homeschooled their four girls and three boys.

To read more about Bryan and his books, visit the Dragons in our Midst Website or visit Bryan's blog.

Eye of the Oracle

by Bryan Davis

Dragons in our Midst - Prequel
Oracles of Fire - Volume 1

≈1≈

The Seeds of Eden

Angling into a plunging dive, the dragon blasted a fireball at Lilith and Naamah. The two women dropped to the ground just as the flaming sphere sizzled over their heads. Naamah swatted her hair, whipping away stinging sparks that rained down from the fireball's tail.

With a flurry of wings and a gust of wind, the dragon swooped low. As razor sharp claws jabbed at the women, Naamah lunged to the side, and Lilith rolled through the grass. A single claw caught Lilith's long black dress, ripping it as the dragon lifted toward the sky.

Naamah jumped to her feet and helped Lilith up. The dragon made a sharp turn in the air, and, with its jagged-toothed maw stretching open, charged back toward them.

Lilith pushed a trembling hand into the pocket of her dress. "Only one hope left," she said, panting. Pulling out a handful of black powder, she tossed it over her head. "Give me darkness!" she cried.

The powder spread out into a cloud and surrounded the women. Naamah coughed and spat. The noxious fumes blinded her and coated her throat with an acrid film. A hand grabbed her wrist and jerked her down to her knees just as another flaming cannon ball passed over their heads.

"Crawl!" Lilith ordered.

Naamah scooted alongside Lilith as she scuffled over the dry tufts of grass. Sparks from the rain of fire ignited tiny blazes that illuminated their hands as they passed through the veil of darkness.

Naamah gagged but refused to cough. With a guardian dragon hovering somewhere overhead, giving any clue to their whereabouts could be fatal.

After several minutes, Lilith whispered, "I think I found the cave."

Her hands, barely visible and clutching a small bundle of sticks, crawled over a bed of gravel and then to a rocky floor. When she finally stopped, Naamah sat up and gazed into the dark cloud behind her. She squeezed fractured words through her tingling throat. "Will the dragon follow?"

"Shachar is persistent," Lilith rasped, "but she is no fool." She coughed quietly, clearing her voice. "She will not risk the possibility that we're a diversion for a more dangerous attack. If she doesn't find us soon, she will go back on patrol."

"What about her dragon sense? Won't that draw her to us?"

"I'm not sure. A dragon's danger alarm is still a mystery to me. I think since our only direct threat is to the ancient garden she patrols, her sense of protection will draw her there."

The black cloud began to dissipate, revealing the mouth of a shallow cave, barely deep enough to keep out the wind. Close to the back wall, the women found a flat stone and built a fire next to it with Lilith's collection of sticks. When the crackling flames began to rise, Lilith and Naamah sat on the stone to rest.

From her pocket, Lilith withdrew a small bundle wrapped in a black cloth. After untying a knot on one end, she produced an earthenware cup filled with herbs. "The way to Eden has yet another obstacle," she said, tossing a pinch of the herbs into the campfire. "Our task will not be easy."

Sparks flew toward the cave's low ceiling, riding on thin strings of silvery-green smoke. Naamah breathed deeply of the aroma-saturated air, a pungent blend of camphor and garlic. She exhaled, tasting the herbs at the back of her tongue. "What could be more difficult than getting past a dragon?"

"There are forces in our world that dwarf the power of dragons. I have foreseen much that you don't know."

As cool, damp air chiseled away at the fire's rising warmth, Naamah scooted toward her sister, overlapping the fringes of their silky black dresses on the flat stone. Barefoot and shivering in the draft, she wrapped her arms around herself. "Didn't you know it would be this cold? We should have worn our cloaks."

"It is only temporary. The cold air is a path that leads us to the garden." Lilith pushed her long black hair off her shoulder and huddled close, her voice low. "Naamah, you must have more faith in me. My husband's arts have allowed me to see another world, the world of phantasmal knowledge. It is the realm of future possibilities, where I can see what might happen."

Naamah folded her hands. "What might happen?"

The bushes rustled just outside the entrance. Lilith glanced over her shoulder, her lips pressing into two pale lines as she set the cup of herbs on the cave's floor and drew a dagger from a sheath on her belt.

"Just the wind," Naamah whispered. "If it were the dragon, we would have heard her wings."

"Perhaps." Lilith's knuckles whitened as she wrung the dagger's wooden hilt. "But even the wind carries spirits who might expose our plans."

Naamah waited for the color to return to Lilith's fingers. "So … why are you counting on phantasmal knowledge when it can't tell you for sure what's going to happen?"

"Because our opponent is so predictable." Lilith placed her long, thin hand on Naamah's thigh. "Life is the ultimate game of chance, with millions of possible moves, so I only see what might happen. My choices and our opponent's choices mesh in a tapestry through time, and I can see where some of the threads lead if I follow one or more of the thousands of patterns that fill my eyes. So far, Elohim has reacted to my moves exactly as I expected he would."

Lilith waved the dagger over the fire. A bright, angelic creature swirled inside the rising smoke, its image warping and undulating as the draft swept it around. Inside the flames, a red dragon appeared, jets of fire blasting from its nostrils. The dragon's blaze licked at the angel's bare feet as it whipped around in the smoke's endless circles. "Our plans rest on Samyaza's shoulders, and if he fails, our doom is certain. We must prepare for that possibility."

Naamah rubbed her hands up and down her bare arms. "How can this husband of yours give you the power to see the future? I have never known a man who could see past a bottle … or a brothel."

"You have never known such a man, because you don't know the Watchers." She thrust the dagger back to its sheath. "Your men are all fools."

Naamah pulled the hem of her dress high above her knee. "Fools, yes, but their money spends as well as yours."

Lilith slapped Naamah's hand and yanked the skirt back down. "Your harlotry will be the death of you someday! Sister or not, I cannot protect you from yourself."

Naamah caressed her stinging hand and scowled. "You didn't call it harlotry back when we were collecting wild oats together. You've been no fun at all since you got religion with Samyaza."

Lilith grabbed Naamah's shoulder and pulled her almost nose to nose, hissing. "This religion, as you call it, might just save your life. If you want to survive, you had better listen to me!"

Naamah jerked away and scooted to the far edge of the stone. "I'll listen. Just don't turn me into something unearthly, like that iridescent dog you keep in your dungeon."

"That was from one of my first potions, and you know it." Lilith sighed and reached for Naamah's arm. "If Samyaza wins, then we won't have to turn into anything unearthly. If he loses … well, he need not know our alternate plans."

"Is that why you're so jumpy? Do you think your husband's spying on you?"

"I do feel the presence of a spy, but I doubt that Samyaza sent it."

"So what should we do?" Naamah asked.

"This spy is of no consequence. Shachar is the greater danger, but she will leave the area soon enough, and we will press on. Until then, we have time for an important step in my plan." Lilith lifted a thin cord around her neck and pulled a leather pouch from her bosom. She loosened the drawstring and carefully poured into her palm a dozen or more white crystals the size of cottonseeds, covered with tiny spikes that made each crystal resemble the head of a mace. "These are the seeds of Samyaza's power. With them we will be able to plant his potency wherever we please."

Naamah touched one with her fingertip and rocked it back and forth. "We will?" she asked.

Lilith poured the seeds back into the pouch but kept one in her palm and closed her fingers around it. "Our master will teach you how to use it soon enough, but first we must prepare ourselves as vessels—myself to wield the power and you to receive the planting." She picked up her cup, dropped the seed inside, and stirred the contents with a slender black root, holding the cup just above the flames as the herbs melted into a thick brew. After seven swirls, she crumpled the stirrer and threw it into the mix. As purple foam rose above the brim and dribbled over the sides, she waved her hand over the top and sang in a low, mournful voice.

O Master of the midnight skies,
The god of darkness, light disguised,
Provide for me the gift of flight
And give me wings to flee my plight.

Now through the waters guide my strife,
And grant the gift of lasting life.
Regenerate my body whole;
For this I give my living soul.

And should my husband learn my plans,
O let his reins come to my hands,
For strength alone cannot compare
To woman's last beguiling snare.

O let us be the farmers' hands
To sow the seeds of fallen man.
The giants planted here must grow
Escaping from these lands below.

In Naamah's womb prepare your soil.
With calloused hands we'll sweat and toil.
O make your seeds become like trees;
To trample Adam's hopeless pleas.

With both hands trembling, Lilith raised the cup to her mouth and took a long, slow drink. She closed her eyes and grimaced, a shudder crawling across her pale cheeks. After licking her lips, she rubbed some of the liquid into each of her palms, then extended the cup to Naamah.

"You must be joking!" Naamah said, squinting at the curling purple fumes. "I'm not drinking that!"

Lilith took Naamah's hand and wrapped her fingers around the handle. "Just smell it! That's all I ask. Then decide if you want to drink or not."

Naamah tightened her grip on the handle and gazed into the cup. Thick gray liquid bubbled inside. Warm vapors and a pleasant aroma bathed her senses. As she took in the delightful smell, her throat dried out, filling her with a sudden desire to drink. Her tongue clamped to the roof of her mouth, parched and swelling. It was more than a desire. She had to drink. Now!

She guzzled the liquid, then slung the cup against the cave wall and glared at Lilith. "You tricked me!"

Lilith wagged her finger. "It was for your own good."

Naamah crossed her arms over her chest and stared at the earthen shards. "I am going to turn into something disgusting, aren't I?

"The potion does much more than that. Even if our earthly bodies die, we will be able to exist in another form. As our new bodies age, we will be able to use Samyaza's power to regenerate ourselves. But if we can get on the boat, we won't have to worry about unsavory transformations at all."

Naamah swung her head back toward Lilith and rose to her feet. "On the boat, you say?"

"Yes. The most obvious phantasmal thread leads to a terrible flood. Our enemy is building a boat that we could use to save ourselves, but the builders have a strange shield around it. Although normal humans can penetrate it, the Watchers and Nephilim haven't been able to. They want to destroy it and change Elohim's plan to flood the world. I, however, wish to find a way to get us on board in case they fail."

Naamah paced slowly in front of her sister. "I know a man who is working on a boat. He said it is very large and well-supplied."

"That would be the one," Lilith replied. "But the builders are unlikely to give away the secret of the shield."

"When he is at the market, he speaks only of supplying the boat." Naamah stopped, cocked her head upward, and smiled. "But when he visits my room, his lips become quite loose."

Lilith scowled. "Loose being the operative word." She stood and slipped her hand around Naamah's elbow. "Did this man mention the shield?"

Naamah swiveled her hips, twirling her dress slowly back and forth. "No, but if you let me sing a song to him, I can charm him into spilling his secrets."

"Oh, really?" Lilith tipped her head upward and stroked her chin. "What's his name?"

"Ham." A burning pain drilled into Naamah's pelvis. She laid a hand over her stomach but tried not to show how much it hurt. "I don't know his family name."

"I wish you had told me about this before," Lilith said, tapping her foot on the ground. "We have to find this man."

The pain stabbed Naamah again, but deeper than before, as if something had grasped her womb with sharpened claws. Still, she forced herself to keep a calm face. "If you'd let me in on your secrets once in a while, maybe I would have known you were trying to get on board."

Lilith glanced out at the bushes again and slowly turned back. "Very well. I will tell you why we are on this journey. You will soon see how all my plans tie together." She picked up a long stick and stirred the coals in their fire, creating a billowing gray plume. A new vision coalesced in the smoke, an angel standing next to a tree. The fire spewed a finger of flame through the angel's hand, making him appear to have a brilliant sword that flashed as he stood guard.

"That is the tree of life, and I have long coveted its fruit." Lilith pointed at the flame. "Here is our problem. One of the Cherubim protects it with a sword that creates a shield of light."

"I see," Naamah said. "Now that you have one of the Seraphim on your side …"

"You're way ahead of me." Lilith glanced outside and checked the brightening morning sky. "Samyaza will be there soon. I want to see him battle the Cherub and win the sword, then we can pluck the fruit at our leisure. Once he has regained his weapon, he will be invincible, perhaps even against the archangels."

Lilith arose and, bending low, sneaked out of the cave. Naamah followed close behind, pressing her hand against her belly again. Whatever that potion was, it seemed to be turning her organs inside out.

Constantly glancing at the sky, they wound their way through a dense forest, padding softly on a wide clover path until it opened into a field. Lilith halted suddenly and stooped next to a leafy bush. Naamah leaned over her, trying to follow her sister's line of sight. In the distance, a white glow arose above a thick, thorny hedge that extended as far as the eye could see.

Lilith's voice softened to a low hiss. "The hedge is Eden's boundary. The thorns are sharper than any sword, and the poison in the tips will shrivel you into a prune in seconds. The only way to enter is through the guarded gate." She skulked to the hedge and followed it toward the glow, Naamah once again trailing her. As they drew closer, a gap appeared in the hedge, and the guarded tree came into view. Stooping again, Lilith pointed at a beautiful, white-robed angel. "His sword shoots out a beam of light that can kill us even this far away. As long as he waves it over his head, it creates an almost impenetrable shield around himself and the tree."

Naamah settled quietly behind her and peered at the darkening sky. Black clouds boiled overhead. Bolts of lightning streaked jagged forks across the heavens. "Something weird is happening," she whispered.

"I didn't expect this." Lilith's brow bent downward. "Samyaza planned to come by stealth, not with a lightning fanfare."

Naamah pointed toward the top of a tall sycamore tree. "I see him."

A winged angel, bright and shining against the stormy backdrop, glided to the ground, his silver hair flowing in the freshening breeze. Dressed in white robes, drawn tight at his waist by a golden sash, he strode to the gate and spoke to the other angel in a booming voice. "Greetings in the name of Elohim."

The Cherub nodded, waving the sword to keep the shield in place. "May our God be glorified forever. What brings a Seraph to Eden's boundary today?"

"I have come to relieve you of your duty. You are to return to the council for a new assignment."

The Cherub glanced up at the troubled sky. "Something is amiss. I sense God's hand moving in the heavens, yet no messenger has alerted me of a change."

"I am the messenger." Samyaza held out his hand. "Give me the sword and go your way."

The Cherub lowered the sword, and the shield blinked off, but he kept the hilt firmly in his grip. "With all due respect, my liege, what is your name?"

"I am Samyaza, prince of the guardian angels." He took a step closer, bringing him within arm's reach of the Cherub. "It would not be wise to continue questioning my authority. Remember Lucifer's folly."

The sword trembled in the Cherub's hand, but his voice remained steady. "Your name is familiar to me, and you have the wings of a Seraph, but I am here by order of the Majesty on High, so I cannot abandon my post on your word alone. Only Michael can countermand the order."

Streaks of darkness shot out from Samyaza's eyes, splashing the Cherub with a sizzling, oily resin that stuck fast to his robes and spread quickly over his hands and face. The sword's light flashed on in the blinded angel's hands, sending a bright beam blazing into the sky. Samyaza lunged forward and shook the Cherub's wrist, slinging the blade under the branches.

Pushing the angel to the side, Samyaza flew toward the trunk, snatched up the sword, and stalked toward the gate. The Cherub threw himself toward the sound of Samyaza's pounding footsteps and wrapped his arms around his neck. The powerful Seraph reached back, grabbed the Cherub's hair, and heaved him toward the tree. The resin-covered angel slammed against the trunk, knocking white fruit to the ground. Samyaza marched toward him, his sword raised.

A loud clap of thunder shook the earth. Another angel, the largest yet, burst from the clouds and zoomed to the ground, landing with a drawn sword raised to strike. "Be gone, Samyaza, you wretched liar. You will not have this tree or its fruit."

Samyaza backed away, visibly trembling. "Michael! I have no quarrel with you. This was my sword before I—"

"Before you left our Lord and Master to satisfy your carnal desires." Michael helped the Cherub to his feet, and with a wave of his hand, the black resin melted away. "Take the sword and crawl back into your hole with your corrupted followers. It will be nothing more than a carving knife to you now."

Samyaza held the sword aloft, but it created no beam. Not even the tiniest spark flashed from the blade. He thrust the tip into a patch of clover and drove the sword into the ground up to the hilt, then shook his fist at Michael. "The people will follow us, not the tyrant in heaven! They want to be free of his authority, and we will teach them to follow the longings of their hearts!"

Michael waved his sword and a new, brighter shield covered the tree. As the dome swirled with radiance, the entire plot of ground ripped away from the earth, uprooting the tree and carrying Michael, the Cherub, and the fallen fruit with it. "If people want true life and freedom," Michael said as they slowly lifted into the sky, "they will look above. Like rain from the heavens, that is the source of their deliverance."

Boiling clouds swallowed the shimmering tree, and, for a moment, all was quiet. Samyaza stared at the ominous ceiling, slowly turning and backing away from the garden. His wings beat the air, and, just as his feet lifted off the ground, a dragon burst out of the clouds shooting twin jets of fire from its nostrils.

Black streams surged from Samyaza's eyes, colliding with the fire. The impact created a sizzling eruption of smoky gas that spewed high into the air. The dragon pulled out of its dive and zoomed by Samyaza, smacking him with its tail before ascending again toward the clouds. Samyaza toppled, but a flurry of his wings kept him from striking the ground.

Lilith leaned over and whispered to Naamah. "Samyaza likely remembers how his master conquered the first female human. It will be interesting to see how he deals with the first female dragon."

Samyaza yanked the sword out of the ground and stabbed it at the sky. "Does the mate of Arramos only fight when she can attack by surprise?" He turned in a slow circle, his eyes darting in all directions. "Come and meet me in single combat, if you dare!"

Shachar burst out of the clouds again, and with a great beating of her wings, she landed in front of Samyaza. "I am not a dog to be baited by a bone," she roared.

The Seraph spread out his arms. "Yet, you are here, panting and drooling for the very bone you disdain."

"Only to lance a demonic abscess." She pawed the ground with her claws. "If you desire a fair fight, drop the sword and let us see who wields the greater power."

"As you wish." Samyaza bowed dramatically and released the sword.

"Step away from it," Shachar ordered. "Far away."

Samyaza marched several paces to one side and gestured toward the sword. "Satisfied?"

Shachar nodded her scaly head. "Trusting you is a fool's game, but I will risk what I must to rid the world of its greatest plague."

The shining angel flashed a wicked smile. "Since you are the aggressor, I invite your first volley."

Shachar lunged at him, her teeth bared and her nostrils flaming. Samyaza dipped under her jets and latched on to her tail as she passed over. With a mighty spin, he slung her in the direction of the sword. The dragon crashed to the ground and slid next to the hilt. As she lifted her wobbly head, her eyes seemed glazed and distant.

Samyaza zoomed to her side and grabbed the sword. With a dramatic thrust, he plunged the blade into the dragon's underbelly. Shachar let out an ear-piercing shriek and writhed in the grass. "Coward!" she screamed. "Deceiver!" She spat out a weak ball of fire, but it rolled past the towering Seraph as he backed away.

When the dragon's throes settled down, Samyaza grasped the hilt of the sword and withdrew it from her body, jumping away from a gush of fluids. He glared at the bloody blade and dropped it to the ground. "Disgusting creatures!" With a flap of his wings, he lifted into the air and disappeared in the blanket of clouds.

Shachar opened her mouth as if trying to speak. She twitched for a moment, then heaved a final sigh as her eyes slowly closed.

Lilith and Naamah ran toward the dragon. Lilith snatched up the sword and wiped the blade on the grass. "Samyaza might not be able to use this," she said, turning the blade over to clean the other side, "but if I can find the secret behind its flame, it could be a powerful weapon indeed."

She propped the blade over her shoulder and strode through the gateway, now unattended by angel or dragon. Naamah followed, gazing at the devastated garden. Knotted trees with bent crowns and twisted branches plagued the endless fields of dry grass. On one squared-off plot, leggy bushes hunkered over a tangled mess of tall weeds and thorny vines. Hundreds of thistles raised bristly heads among row after row of dwarfed fruit trees and shriveled vegetables. Naamah let out a low whistle. This was no Paradise, no land of perfection, despite the claims of her childhood songs.

Lilith tramped down to the bottom of the hole where the tree once stood. She stooped, pinching a sample of soil and drawing it close to her eyes. "Not a trace. Not a root or seed anywhere."

Naamah noticed a glinting speck in the dirt. "Here's something!" She plucked out a smooth white pebble, barely as large as her fingertip, and handed it to Lilith. "Could this be a seed?" she asked. "It looks like a pearl."

"It could be." Lilith knelt where Naamah found the pebble and used her finger to stir the soil, a mixture of moist brown dirt and a strange white paste. "Here are two more." She collected them and slid all three into her pocket. "We'll keep them for posterity."

"Posterity?"

"Future generations. I don't know how long it takes to grow a tree of life, but I intend to find out."

Lilith gazed toward a path that led into a stand of skinny oaks. "The other tree should be in that direction," she said, pointing.

As she headed toward the wood, she swiped Samyaza's sword in front of her as if fending off an invisible enemy or perhaps testing its weight and balance. Naamah had to jog to keep pace with her sister. Lilith's stern expression told her it wasn't a good time to ask questions, so she just stayed at her side, taking in the sights of loss and waste in the massive garden.

After following the path through the trees, they arrived at a glade. In the center of a circle of grass, a tree, heavy with red, oblong fruit, stood tall and lush. Lilith strode right up to the nearest branch and called out, "Lucifer, my lord and master, I bring you vital information."

A fresh breeze flapped Lilith's dress as she stood in stoic silence, the tip of the sword touching the ground in front of her. The wind crawled up Naamah's legs, bringing her a chill. The pain in her stomach had settled, but a new queasiness took over. Something foul drew near, worse than a fetid carcass. Whatever it was seemed to seep through her skin and into her heart, making it slow to a few, sickening thumps.

Soon, a gentle hissing joined the shush of the wind. A long, thick snake slithered out onto the branch and rested its head near a bobbing fruit. Lilith extended her arm and pushed her hand under the serpent's belly. Bearing scales like sun-baked leather, black hexagons meshed with olive-green, the snake crept along Lilith's pale arm. Its tongue darted in and out from its triangular head as it spoke in a slow, threatening cadence. "If you have come to tell me about Naamah's customer, you have come in vain. While I am in this cursed condition, my disciples sneak in through the garden's western gate. One of my agents overheard your conversation and reported the news about this boat builder."

"So that's what we heard in the bushes," Lilith said. "It was a spy."

The snake flicked its tongue, touching her cheek with its forked points. "I send spies on my enemies and my followers, especially followers as ambitious as you."

As the snake wrapped a coil around Lilith's neck, she lifted her chin and swallowed hard. "And how shall we use the information, my lord?"

The snake maneuvered its head in front of Lilith's eyes, wavering back and forth in a hypnotic sway. "I sent my agent to speak to my servant, Lamech, son of Mathushael. I have ordered Lamech to adopt Naamah into his family. Naamah's new brother, Tubalcain, knows Ham and will offer her to be Ham's wife."

"His wife?" Naamah said, crossing her arms over her chest. "Ham is a regular customer, but that doesn't mean I want him for a husband!"

The serpent's head shot toward Naamah, its fangs extended as it bit the empty air just inches in front of her eyes. Naamah staggered backwards, catching one of the tree's branches to keep her balance. Recoiling over Lilith's shoulders, the serpent hissed, "Either marry him or die!"

Naamah shivered in the tree's shadow, holding her stomach again as the fierce pain stabbed her insides.

The serpent turned its flaming red eyes back to Lilith. "Ham's father will recognize your name, so you must change it before you meet him. We cannot allow him to know who and what you are."

"Of course, my lord." Lilith kept her head tited upward. "Do you have a preference?"

"Choose whatever pleases you. I will arrange things to make your new name work."

Lilith smiled. "As you wish, my master."

The serpent's tongue flicked again. "I have news about the sword."

Lilith lifted the blade. "The secret to its flames?"

"Yes. The sword is designed to detect the nature of the hands that grasp it. The flames shoot from the blade only if the hands are innocent and undefiled. Of course, the Cherub who guarded the tree of life was holy, so he was able to use the blade's protective shield over the tree."

Lilith ran a finger along the blade. "And Samyaza's hands have been deemed corrupt." She gazed at the grip, wiggling her fingers around it. "Can the sword be fooled into thinking it is being held by holy hands?"

"Perhaps. It has no thinking process of its own. It merely responds to how it was forged."

Lilith studied the etchings in the blade's silvery metal. "Who are the two dragons doing battle in the design?"

"I am one of them, and I struggle with a dragon who is to come, a warrior who will fight with me to become king of the dragons. Michael etched that symbol when he gave the sword to Samyaza and commissioned him to find and protect the holy dragon who would come to try to conquer me."

"I see," Lilith said, nodding. "So this king must have holy hands in order to defeat you."

"Yes. But since this usurper could be a human representative for the dragons, our goal is to corrupt every family line, whether dragon or human, with the seed of the fallen ones. But, beware. Elohim has already hatched a plan to thwart ours. I know little more than a code phrase one of my disciples overheard—'oracles of fire.'"

"That's it? No context?"

"Only that there are two of them. Perhaps a pair of angels commissioned specifically to infiltrate our ranks and destroy our work from within."

"I will watch for them." Lilith lowered the sword. "And when will you become a dragon again and leave the garden?"

As the serpent slithered along Lilith's arm, she raised her hand to the tree. It coiled around the branch, and its head turned back toward her, its voice echoing like a ghostly whisper. "When I steal the body of a certain dragon, I will be whole once more." It crawled back into the thicker foliage and disappeared.

Naamah ran from the tree and sidled up to Lilith, crossing her arms again. Lilith chuckled and kissed the top of her head. "Don't worry, Sister. Yours will be a marriage of convenience. We can dispose of Ham when he has served his purpose."

Naamah turned her back to Lilith, her arms still crossed. "Then you marry him. You seem ready to betray your husband."

Lilith grabbed Naamah's shoulder and spun her back around, her eyes turning bright scarlet. "I'm doing this for us!"

The pain from Lilith's grip made Naamah shake. As she stared at her sister's fiery eyes, she felt tears forming in her own.

Lilith slowly relaxed her fingers. Stroking Naamah's hair, she leaned close and whispered, "Lucifer has given me the means to carry out the plan that will save our lives. He knows Samyaza is not likely to cooperate, but I don't really want to betray my own husband." She pressed the tip of the sword into the grass. "I won't resort to draining his power unless I have to."

"Draining his power?" Naamah pointed at the sword. "With that?"

"No." Lilith spread out her fingers, showing Naamah her palm. Splotches of purple stained her skin from the heel of her hand to her fingertips. "My seed concoction has many uses, and absorbing potency will come in handy." Reaching up, she caressed one of the red fruits dangling from the tree. "Speaking of seeds" —she plucked the fruit—"I think these might also come in handy."

"For posterity again?"

"In a manner of speaking, yes." Lilith dropped the apple-sized fruit on the ground and chopped down with the sword, slicing it cleanly in half. Kneeling, she picked through the flesh, collecting six seeds, then, spreading out her fingers again, she let the sparkling red seeds roll around on her stained palm.

"They look like rubies!" Naamah said.

Lilith dropped them into her pocket along with the others. "Much more valuable than rubies, Sister. They are the seeds of corruption. And those who control the corrupting influence wield the power to rule the corrupted."

Reading level: Young Adult
Paperback: 609 pages
Publisher: AMG Publishers (September 25, 2006)
Language: English
ISBN: 0899578705

CFBA novel this week: Landon Snow and the Island of Arcanum

R.K.Mortenson is an ordained minister with the Church of the Lutheran Brethren. He has been writing devotional and inspirational articles since 1995. He currently serves as a navy chaplain in Florida and lives with his wife, daughter and son in Jacksonville.

This page at Barbour's site provides a few good links, two as recent as last week: http://www.barbourbooks.com/author/detail/r-k-mortenson/. The top link there goes to a story about Randy's adoption experiences, the second link goes to the Landon Snow short at Clubhouse magazine.

Randy got the idea for this series one late night, when flute music woke him from a sound sleep. As he stood at his window, trying to locate the source of the sound, he spied a library across the lawn. Suddenly, he envisioned an eleven-year-old sneaking out of his bed and stealing to the library in the dead of night...And thus Landon Snow was born.

This is the third book in the Landon Snow series by R. K. Mortenson.

I've not read this series yet, but I plan to. My son read the first Landon Snow book and loved it. That alone sells me on Mortenson because my son is a hard sell when it comes to books. I'm tickled that we have such great authors of YA biblical worldview fiction.

http://www.amazon.com/exec/obidos/ASIN/1597893587
http://www.landonsnow.com/

Justified Means, by Cher Smith

I admit it. I read this on a recommendation from a trusted colleague with just a bit of trepidation. But my eyes and heart were richly rewarded with a story so palpable I'd swear the whole thing really happened.

Katie Means doesn't understand why God has stood by and let her birth a son with autism, or why his special school is being closed down. All she knows is that life will be better if she can control her destiny. So she sweet talks a formerly incarcerated burglar friend, Jack Jordan, into helping her become the next Robin Hood. Stealing from the rich and giving to charities has never been so easy...or confusing. After all, aren't pastor's wives supposed to be God-fearing and law-abiding?

If you're expecting a sanitized Christian novel with an all-ends-tied-up happy ending, then you'll be surprised. This little gem has much to offer, but it veers away from the neatly handled norm. I found it a bit offensive in parts but entertaining and an "A" for getting a point across. One of those being that Christians are people, too. We get angry, we sin, and our lives aren't perfect. We need grace just like everyone else. Thank God He doesn't leave us to fend for ourselves even when we think we'd like to.

Congratulations to Cher Smith for a unique, thought-provoking tale. I hope she lands a huge contract soon.

CFBA presents: Calm, Cool, and Adjusted

Kristin Billerbeck was born in Redwood City, California. She went to San Jose State University and majored in Advertising, then worked at the Fairmont Hotel in PR, a small ad agency as an account exec, and then, she was thrust into the exciting world of shopping mall marketing. She got married, had four kids, and started writing romance novels until she found her passion: Chick Lit.

Calm, Cool, and Adjusted is the third book in the Spa Girls Novels.

http://www.amazon.com/exec/obidos/ASIN/1591453305

Kristin's website link: http://www.kristinbillerbeck.com/

FURY, by Bill Bright and Jack Cavenaugh

Historical suspense is not usually my cup of tea, but as with the first two books in the Great Awakening series, I was enthralled throughout the book. Not because it was a knuckle-whitener (I love those, too) but because it made the period come alive through the portrayal of both fictional and real people.

This story chronicles the life, wanderings, and eventually rebirth of Daniel Cooper. After he witnesses a murder by a friend of his uncle and guardian, Asa Rush, he runs away hoping to work the locks up north. Instead of finding work and safety, he hears of a powerful preacher who is changing the town soul by soul. And all the while he is being chased by an assassin.

Expect an exciting ending, making the journey there well worth it.

CFBA Spotlight: SCOOP, by Rene Gutteridge

To read my review and an interview with Rene, please see my archives:

http://kcreviews.blogspot.com/2006/10/rene-gutteridges-new-novel-scoop.html

ABOUT THE AUTHOR:

Rene Gutteridge is the author of several novels, including Ghost Writer (Bethany House Publishers) The Boo Series (WaterBrook Press) and the Storm Series, (Tyndale House Publishers. She will release three novels in 2006: Storm Surge (Tyndale) My Life as a Doormat (WestBow Press, Women of Faith)Occupational Hazards Book #1: Scoop (WaterBrook Press).

She has also been published over thirty times as a playwright, best known for her Christian comedy sketches. She studied screenwriting under a Mass Communications degree, graduating Magna Cum Laude from Oklahoma City University, and earned the "Excellence in Mass Communication" award. She served as the full-time Director of Drama for First United Methodist Church for five years before leaving to stay home and write. She enjoys instructing at writer's conferences and in college classrooms. She lives with her husband, Sean, a musician, and their children in Oklahoma City.

The book link for Scoop:

http://www.amazon.com/exec/obidos/ASIN/1400071577

The author's website:

http://www.renegutteridge.com/splash.html

CFBA book The Cubicle Next Door

I haven't read this one yet, but it sounds like a winner!

Excerpt from Chapter 1:

“So what do you think, Jackie?”

What do I think? Funny Joe should ask me that. He’s just finished reading my blog. He’s just quoted me to myself. Or is it myself to me? Do I sound surreal, as if I’m living in parallel universes?

I am!

The blog—my blog—is all about Joe. And other topics that make me want to scream. But the clever thing is, I’m anonymous. When I’m blogging.

I’m Jackie, Joe’s cubicle-mate when I’m not.

And that’s the problem.

Joe is asking Jackie (me) what I think about the Mystery Blogger (also me). And since I don’t want Joe to know the blog is all about me and what I think of him, I can’t tell him what I think about me.

My brain is starting to short circuit.

So if I can’t tell him what I think about me, I certainly can’t tell him what I think about him, so I’m going to have to pretend not to be me. Not me myself and not me The Cubicle Next Door Blogger—TCND to my fans.

I have fans!

If I were clever I’d say something like, “Look!” and point behind him and then duck out of the room when he turned around to look.

But there’s so much computer equipment stacked around my desk and so many cables snaking around the floor that I’d break my neck if I tried to run away. So that option is out.

I could try pretending I didn’t hear him. “What?”

“SUVs. So what do you think about them?”

But then we’d basically end up back where we started.

So how did I get myself into this mess?

It was all Joe’s fault.

http://www.sirimitchell.com/
The Cubicle Next Door

And the Winner is...

Sheryl! Congratulations, you will receive via snail mail your own copy of Coldwater Revival. I hope you enjoy it, and thanks for posting.
Karri

FIRST feature: Coldwater Revival, by Nancy Jo Jenkins

It is November 1st, time for the FIRST Day Blog Tour! (Join our alliance! Click the button!) The FIRST day of every month we will feature an author and their latest book's FIRST chapter!

This month's feature author is:

Nancy Jo Jenkins

This blog is featuring a contest to win a
copy of Nancy's new book, Coldwater Revival. Just put in a comment and you
may be the winner!

Just three weeks before her wedding, Emma Grace Falin has returned to her hometown of Coldwater, Texas, consumed by a single, burning desire. She must confront the guilt and shame of a devastating event that has haunted her since childhood.

"...What a stunning debut novel."
--Wendy Lawton, Literary Agent, author of Impressions in Clay

"An astonishing debut! Coldwater Revival is a hauntingly beautiful story made doubly so by Nancy Jo Jenkins stunning, lyrical writing. I was mesmerized from cover to cover."
--Deborah Raney, author of A Nest of Sparrows and A Vow to Cherish

AUTHOR INTERVIEW: Meet Nancy Jo...

Q. How long did it take you to write Coldwater Revival?

A. I perceived the idea for Coldwater Revival in June, 2003, and completed the manuscript in March, 2005.

Q. Tell us about your journey from writer to published novelist.

A. During my teaching career, I dreamed of the day when I could write the stories that continually swam around in my head. I didn't know at the time that it would take me four or five years of attending workshops, conferences, retreats, lectures, and of studying tapes, books and other materials before I was ready to put my newly-acquired knowledge to use, and begin writing the stories that God had prompted me to write. In March, 2004, at the Mount Hermon Christian Writing Conference, I submitted a book proposal to Steve Laube (Literary agent), and Jeff Dunn, (Acquisitions Editor) for RiverOak. Both gentlemen asked me to send them all I had written on Coldwater Revival, which at the time was 109 pages. During the summer of 2004, both men offered me a contract. My book was published by RiverOak and released in May, 2006.

Q. The agony and healing Emma Grace went through are so real. What personal experiences did you draw from to portray Emma Grace's feelings so well?

A. There was a time in my life when I suffered with depression, though it was not due to a death in the family, as Emma Grace's was. At the time, it seemed that I was in a daily knock-down, drag-out fistfight with sadness. I was truly blessed in that I was never prescribed any kind of medication to treat my depression, which proved to be relatively short-lived. But I did receive counseling, which was just what I needed to win the battle with this debilitating condition. During that time of depression I endured many of the symptoms that Emma Grace suffered through. Excessive sleeping was about the only symptom we did not share. There were times when I couldn't swallow my food, and times when I could almost touch the face of that same blackness that almost overwhelmed Emma Grace. Her sorrow and guilt were difficult scenes for me to write, and I found myself crying each time I wrote about Emma Grace's sadness and the continual ache in her heart.

Q. Emma Grace loses all desire for life when her brother dies - not eating or talking, just living in the blissful cocoon of sleep. Do you have any advice for folks who are in that dark place right now?

A. Communication was the key that unlocked the door of depression for me. Communicate with God, even if the only words you can utter are the words, "Help me." But I also benefited greatly from talking to a certified counselor; one who was trained in helping people express their pain, their needs, their fears. I hope that anyone who feels sad and lonely for an extended length of time, will contact their pastor, or someone who can direct them to a Christian counselor.

Q. Emma Grace's grandmother lives in the city while the rest of the family lives in the country. Why do you think she didn't move out to the country with the rest of the family long ago?

A. Granny Falin immigrated from Ireland to America with her husband and son when Emma Grace's papa was just a lad. This family shared a dream about their new country. It would be a place where they could find work and prosperity, raise their family, and put down roots. Even the Great Hurricane of 1900 couldn't wash those dreams from Granny's heart. Though her only remaining child lived a hundred miles away in the rural township of Coldwater, Texas, Granny could never leave Galveston. The island and the sea that surrounded the island were her home now. It was where the ashes of her husband and three children were buried. It was the home she and her husband had dreamed of during their desperate years together in Ireland. If she left Galveston and moved to Roan's home, she would be giving up the dream she had shared with her husband.

Q. Papa and Elo have a tough time showing their emotions. Elo, especially, is so hard to read in the book. Why do you think some people hole up inside themselves rather than sharing their emotions?

A. I believe we are born with a portion of our personality already deeply embedded within us. Some people are reticent to express their feelings and emotions, while others have no problem whatsoever in expressing what they feel or think. I have known many individuals who are like Elo; people we sometimes refer to as "the strong, silent type". Papa and Elo are powerful protectors and providers who waste little time and effort on words. Both of these men feel that "actions speak louder than words". Added to that is the fact that Elo feels extreme discomfort when his mother and sisters are emotionally distraught, therefore, he maintains a rigid demeanor, in part, to provide a stable link in the chain that makes up his family - The Falins.

Q. Do you have other books coming out soon?

A. Thank you for asking about my upcoming books. I'm about to submit my proposal for a novel entitileld, "Whisper Mountain". This story takes place in the early 1900's in the Great Smoky Mountains. It is the story about lost love, and a desperate woman's journey to fill the void that deprivation and loss have left in her heart. The story has elements of mystery, intrigue, murder, and of course, romance. I'm very excited about this story. I've also begun writing a sequel to "Coldwater Revival" which will parallel both Emma Grace's life after 1933, and the adventurous trek Elo begins when he falls in love.

THE FIRST CHAPTER of
Coldwater Revival

One

Coldwater, Texas

Three weeks before I was to marry Gavin O'Donnell, I set my feet upon the beaten path leading to Two-Toe Creek. What I had to offer Gavin in marriage—my whole heart, or just a part—depended on the decision I would make today.

As my feet tracked the dusty pathway they stirred loose soil to the air. My heart stirred as well, for the guilt I had buried in its depths smoldered as though my brother had just died, and not five years earlier. In the shadowed days following the tragedy, my disgrace had glared like a packet of shiny new buttons. I'd not thought to hide it at the time. In truth, I'd thought of little, other than how to survive. But at some point during that time of sorrowful existence, when my days and nights strung together like endless telegraph wires, I dug a trench around my heart and buried my shame.

From that day until this, I deeded myself the actor's role, closing the curtain on my stain of bitter memories, hiding my sorrow behind a veil of pretense. But that old deceiver, Time, had neither softened my guilt nor put it to rest; only allowed it ample pause to fester like deadly gangrene. Now, as the day of my wedding drew near, my heart cried out for healing. It was, you see, far wiser than my head. My heart understood its need for restoration—before I exchanged wedding vows with Gavin. For this reason, I now walked the trail to Two-Toe Creek. To revisit my failures of yesteryear and reclaim the peace that had slipped past the portals of my childhood. Perhaps then I could give Gavin the entirety of my heart.

~~~
The blogger's thoughts:
Jenkins' keen sense for setting, mood, and description made reading this novel a learning experience for me. While it's not fair to judge this book on enjoyability due to the fact that I generally dislike this genre, I will say that I felt it too introspective and sluggish. That said, Nancy Jo Jenkins pens beautiful prose. I applaud her for that. Historical and romance lovers will no doubt relish Coldwater Revival.

AT LONG LAST! Ted Dekker's SAINT review and INTERVIEW!

Dekker delivers a knockout hit with his new mind-blowing tale, Saint.

Welcome to the world of Carl Strople, also known as Saint. A first rate assassin, he trains to efficiently kill. He has endured memory wipes, identity stripping, and grueling tests that push his body and mind to the limit. But then doubts slink unbidden into Carl’s mind and he wonders who he really is. He doubts the reality that has been drummed into his brain as a black ops sniper. Can he survive the truth?

As is true of any other Dekker book, little can be told without revealing an interesting plot point. No spoilers here. Just know that you will be taken on a ride that slams you one way, then another until you relinquish your preconceived notions and succumb to the story.

Story is what Dekker does best. And in the midst of it all, he weaves in a parallel to life that will stalk you until you deal with it. Prepare for your brain to be rocked, your emotions to be squeezed, and your soul to be stirred. This comes most highly recommended. Go get it. Now. What are you waiting for? The book has been out for almost a month!

~~~

Recently, I got the opportunity to ask Ted Dekker some questions. The result was a video shot on an airplane carrying Ted to an unknown destination. I’ve transcribed the Q&A from this video. You can see the video on Ted’s MySpace page sometime this week, and hopefully on his website soon as well. Enjoy!

Q&A with Ted (edited for clarity):

KC: Ted, how long have you been writing?
Ted: I've been writing most of my life, but I've been writing as an author, 6 or 7 years since I've actually been published. Those are the years that I've been writing full time pretty much, so in all about 12 years.

KC: What made you decide to be an author?
Ted: Growing up you know I read a lot of novels because I grew up in the jungles of Indonesia and we didn't have TV’s, we didn't have anything, 'cept for graphic novels and novels and so I consumed them. I was always totally in awe of the stories that I read. And so it probably wasn't until I saw a friend of mine try to write a novel when I was in California about 20 years ago. And I thought to myself for the first time, you know, I could do that. It was quite a while later that I decided, you know, I'm going to try this, I really want to do it. So I began writing a novel in the evening, and you know, the stuff just came out, it was cool, very cool.

KC: How does the writing process work for you?
Ted: The writing process for me is when I actually write a story which means I’m writing full on, flat out, you know, almost, at least 6 days a week. To do that I have to go away from my home, or at least part of that time, totally isolate myself, and I write a tremendous amount of material in a short period of time. It usually takes me a year or so before I get to that point to, uh, really develop a story in my own mind, before I get to put it on paper. I usually got to play with it and shape it, and I mold it’s like clay in my mind. And I work with it and I knead it and I… And then when I'm ready to go, I have a very strong sense of what the story is, the device I'm going to use within the story, what's going to really make this story unique. And, then I write a rough draft within, I could actually write that novel within over a 3-month period. A rough draft, give or take and then the first editing pass so it's pretty much a complete story. That’s the process.

KC: What is Saint about?
Ted: Really, it's all of our story because we all—when you read Saint you're reading about yourself. I told a reader that once after they finished it and they e-mailed me back and said they never thought of that before, but having read the novel they came back and they said: “Oh my goodness, you're absolutely right. This is me.” And it really is. I've written it to be everyone's story, and it’s so true in so many ways. So I'm excited about it in that way, more so than any other book I've written.

KC: What are the main themes running through Saint?
Ted: Definitely a search for identity, understanding of our place in this world, and it's really a kind of modern-day Samson story, it’s understanding who you are, what we do with that, we all grapple with that, with our identities. It was exciting. I loved writing that book.

KC: What can you tell us about your next book, Skin?
Ted: Skin is a little bit of a throwback to some of my earlier novels, in that, it's a psychological thriller with a little bit of horror in it, but has a psychopathic killer in it. It's like Thr3e that way, but it's not very similar to Thr3e at all, it's very different. It dramatically addresses the issue of beauty. That theme is buried into the novel more so than most of my novels, so as such it's quite a secular novel. It's one of those novels where you get to the end and everything gets flipped, in a very big way, and the reveal in the last chapter is a real trip. I know I keep doing that, some people, I don't want people to expect that always, you know, because you get used to it--you put yourself into this kind of mode, where people now expect you to do reversals and so I want to get away from that for a little bit, but at the same time, I just love keeping my readers totally on their toes, uh you know, I don't want to get bored myself in the writing process. I got to, I try to trip myself up, and that works its way into the novel.

KC: What else are you working on?
Ted: I'm very determined to deliver these stories in multiple formats and multiple media including TV, movies, graphic novels, and the internet as well, and we'll just keep plugging away at it, and ultimately we're gonna to see some pretty exciting things impact culture in a positive way.

CFBA Feature - The Election, by Jerome Teel

ABOUT THE AUTHOR :

Jerome Teel is a graduate of Union University, where he received his JD, cum laude, from the Ole Miss School of Law. He is actively involved in his church, local charities, and youth sports.

He has always loved legal-suspense novels and is a political junkie. Jerome and his wife, Jennifer, have three children-Brittney, Trey, and Matthew-and reside in Tennessee, where he practices law and is at work on a new novel.

The Election.



They seek ultimate power.

Nothing can stand in their way.

Ed Burke has waited a lifetime to become president of the United States. He's not about to let his nemesis, Mac Foster, stop him now...especially when he's sold his soul for the Oval Office.

Claudia Duval has lived a rough life. And finally, things have turned around for her after meeting the wealthy Hudson Kinney. But is all what is seems?

When a prominent citizen is murdered in Jackson, Tennessee, attorney Jake Reed doesn't want to know the truth. He just wants to get his client off. But as he investigates, he uncovers a sinister scheme. A scheme that would undermine the very democracy of America...and the freedom of the entire world.

http://www.jerometeel.com/

New posts coming up...

Please stay tuned for this week's CFBA feature as well as a review of Fury, by Jack Cavenaugh and Bill Bright. An interview with Ted Dekker is forthcoming VERY soon, and will also be featured on Ted's MySpace (with video!), Dancingword, and The Lost Genre Guild website, as well as the new Rise Up e-zine. Whew!

Keep reading!

The Gathering Storm, by Barbara Warren

A strong debut for Warren...

There is no love lost between Stephanie Walker and her father Marty. She can’t forgive him for divorcing her mother years ago to marry a country singer and then dropping out of their lives. So when Marty shows up on her doorstep, she figures he wants something. She’s right.

But her heart will not soften toward him, and she declines his request to come home with him to “watch his back”. Finding that he has stolen a piece of jewelry from her house, she relents and drives four hours away to Harrington Lodge. Planning to demand her necklace back, she is shocked when she walks into his room and discovers he has been murdered.

I’ve begun reading murder mysteries more steadily and I enjoyed the story line in this book. Artfully dropped clues continued to divert my attention and fool me. I guessed some things correctly here and there, but I never anticipated the turn it took at the very end. Warren paced the story well, and used the setting to enhance it even more. It’s an easy read in a simple, clear style. There were a few places I felt were a bit contrived, but all in all it’s a good mystery novel.

1. Where did you get the idea for your novel?

I was picking blackberries and while my hands were busy, my mind was wandering. And all of a sudden I had these characters in my head. As soon as I got to the house I wrote them down and started plotting their story. I usually have a notebook handy at all times, but not in the blackberry patch. I don't think writers can really explain where the idea comes from. Something I read or see will spark an idea. I keep a file of ideas, phrases, a snatch of dialogue. Sometimes it's just an idea, sometimes it's the beginning of a plot. There are a lot of things in the business of writing that can't be explained. Like the way we know how our characters look and their personalities. We can't tell someone how it happens. It's just there in our minds.

2. How did you get into the editing business? Do you think that helped you in your writing?

I helped start a writing group and we critiqued each others work. It turned out to be something that other people thought I had a gift for and Cheryl Hodde kept after me to start charging. Finally after years of editing for free, I set up my own business and found I really enjoyed it. Yes it has helped in my writing, because I have a whole shelf of books on editing. I've
studied them and applied what I learned to my client's manuscripts, and that has helped me see the mistakes in my own writing. Of course, my critique group still rips my work apart and I appreciate them.

3. Tell us how you weave your faith into your stories.

I don't like a message that seems to be pasted on, so I try to have my characters live their faith the way I live mine, a natural, normal part of my life. Very few of the Christians I know go around looking holy and talking pious. They are real people, and I try to make my characters seem real too. Faith should be a normal part of our lives, like breathing. Not something we spend a lot of time thinking about, like "I'm really full of faith here," but something that is a natural part of the way we live. Our charcters shouldn't be more holy or preachy than we are.

4. What's coming up next? Do you have another novel in the works?

I am trying to market the next book in this series. Kate, the young girl in The Gathering Storm is a single mother, and this will be her story. And I'm working on a cozy about five women in their sixties who act like me and talk like me, and of course they are wonderful, like me. I'm having a lot of fun with it.

This week's CFBA feature...

Between Here and the past,

THERE LIES A PLACE...

a place of longing for what has been rather than hoping for what could be!

ABOUT THE AUTHOR:

Alison Strobel graduated with a degree in elementary education, and in the summer of 2000 she moved from Chicago to southern California where she taught elementary school for three years. It was in Orange County that she met her husband, Daniel Morrow, and the story developed for her first novel, Worlds Collide.

Violette Between is a poinant story of a true artist. When the love of Violette's life, Saul suddenly died, she died too. Then she meets Christian, who also is morning the loss of a loved one.

As Violette and Christian begin to feel something that they both thought was impossible. Tragedy strikes again. Christian finds Violette on the floor of his waiting room, that she had been painting to look like a New York rooftop restaurant.

As Christian holds a vigil at her bedside, begging her to come back to him, Violette is in a coma, traveling to a place where she meets her beloved Saul. And she finds that she may not want to come back!

What would it be like to choose a place between the past and the present?

Violette Between is a powerful character study of a woman finally relinquishing the past to move on, only to be thrust into the quandry of reliving that life and needing to make a choice.

For Christians, this will definitely make you think about heaven and the consequences of eternal life.

Brandt Dodson's Seventy Times Seven

Colton Parker has had it rough lately. His wife died in an accident and his daughter blames him for it. Being fired from the FBI and opening his own private investigation business was easier than single parenting. But at least he has a new client.

Millionaire Lester Cheek's wife, Claudia, has disappeared for no apparent reason. Colton is charged to find her before the poor man dies of loneliness. Seems an easy enough job until Cheek cranks out a long list of enemies. Perhaps there's more to this case than meets the eye.

Before long, Colton is in a race against time to stop a hit man while keeping his own family out of danger. Can he put down his pride and admit past mistakes so he and his daughter can move on?

This mystery breaks a mold for me. It's not your typical whodunit, which I like. The plot was good, but the down to earth characters clinched this for me.

Seventy Times Seven is second in the Colton Parker Mystery series. Number three, The Root of Evil, releases in January, 2007. Can't wait.

Me: What made the Colton Parker Series a "must write" for you?
BD: I think it was my love for the form. I grew up watching the Bogart movies that featured characters from Chandler's and Hammett's work, and that lead to reading them. And, of course, as a Christian, I feel compelled to write from that perspective. As I grow closer to God (and I feel strongly that is something I must do--shame on me if I don't) I find less and less in the world's definition of entertainment that is satisfying. Thank God for the CBA.

Having recently attended the Bouchercon in Madison, Wisconsin, I had the opportunity to meet mystery writers that I've read for years. I even got to sit on a panel with some of them. When I was asked; "As a Christian writer, how do you get around some of the demands for bad language that is inherent in the PI novel?", I answered by saying that neither Chandler or Hammett or Ross MacDonald felt the need for "bad" language in their work--and they are the recognized masters of this particular literary form. After I answered, it was very pleasing to see the other writers on the panel agreed that some of the language in secular writing has gone too far.

Me: How long have you been a Christ follower? What impact does He have on your writing?

BD: I was raised in a Christian home, but didn't commit to Christ until twenty years ago. Having done that, and having the benefit of looking where I've been, I can honestly say that there is no other way to live. Christ is everything. He placed the desire to write within me. He opened the doors at the time I was ready. He directed me to exactly the right editor and publisher. And He has continued to guide me along the way. I promised Him that I would write for Him as long as I live. It's my way of "casting my crown"--giving back, in His service, what He has given me.

Me: Maybe I'm not well-read enough (who knew?), but I found it a bit unusual to see a protagonist who isn't a Christian, nor feels any need to be one. Is it acceptable as long as there are other Christian characters in the book helping him along?

BD: I suspect that you're more well-read than you give yourself credit for. But, yes, you are right in saying that it is a bit unusual for the protagonist to not be a Christian - in a Christian novel. And there is a reason for that. I have always seen the Colton Parker Series as being somewhat evangelistic.

While I attend CBA conferences, I also attend secular meetings as well. The opportunity for a cross-over market is present - and growing - and I want to be able to reach those who, like Colton, (and me), think they can do it all by themselves. Hence the theme in my first novel, "Original Sin". But I also want to reach Christians. All of us were once without Christ. And if He had come for us at that time, we would've been lost. But through His patience, we found Him. Still, I see Christians who tend to separate themselves from those who don't know Christ, and I often believe it is because they have forgotten where they once were. Seeing Colton as he is, should help to restore us to a sense of where we once were, and renew our gratitude to Christ for all that He has done. But, stay tuned.

Me: A little birdie told me that you used to write horror, but you just didn't have it in you, so to speak. Some say that there may be a home for a type of horror in the CBA. Have you thought about revisiting that genre, or do you want to stick to mysteries?

BD: Was that little birdie a bat? I believe, very much, that there IS a place for horror in the CBA. After all, as Christians, we battle spiritual powers all the time. What could be more horrible than that? But I think the writing would have to be very carefully handled if it were to be acceptable to the publisher and the average CBA reader. I do have, in the back of my mind (a scary place in itself), the framework for a horror novel that I would like to write--and someday I will. As far as sticking to mysteries, I would like to write the Colton Parker series indefinitely. At least, if readers still want them. But I also want to do other, more complex work. I have already contracted for a non-Colton novel, with Harvest House, and will do some police procedurals and pure suspense novels as well.

Me: What is your favorite and least favorite part of writing?

BD: Having worked for over 12 years to get here, I really don't have any least favorite parts. I like the writing process, most of all, and I like the re-writing almost as well. When I write, I don't outline. I begin with a premise, and then go with it. I often write 2000 words a day, and 5-6000 isn't uncommon. (That's after coming home from a 8-12 hour day.) But when I get "in the flow", I can go on for a long, long time. It's cathartic. I tend to write the first draft out of my subconscious, with very little thought, then go back and find where the true story is, before I begin the work of carving it out of what I have already written. I enjoy all of it.

Me: Where do you go (cyberspace or real life) when researching your novels? Anyplace unusually interesting?

BD: Since I write crime novels, most of my research is done by contacting family members and asking them. (Nearly all of my family has been police officers, going back as far as 60 years ago.) But I do a lot on the internet, too. In the book I'm currently writing, I will visit a local pathologist and watch an autopsy. So not everything can be done by a phone call, or a click of the mouse.

Me: You're quite a renaissance man, having been an FBI agent, Navy man, and now a Podiatrist. Would it be hard for you to choose just one thing to do with your life?

BD: I enjoyed my time with the Bureau (I clerked. I left the FBI before going to Quantico so that I could go to Podiatry School), and I enjoyed the Navy and I enjoy my work as a Podiatrist. But, to be honest, all of them pale to being a writer. Like most people who write, if I could do this full-time, I would. Choosing one thing to do with my life would be a blessing, if it could be writing.

Me: Can you recommend any good books on writing that have proved helpful for you?

BD: Oh, yes! Lots of them. For starters, I'd recommend:
How To Write Best Selling Fiction by Dean Koontz (out of print, but available)
Scene and Structure by Jack Bickham
Make Your Words Work by Gary Provost
The Career Novelist by Donald Maas
Writing the Blockbuster Novel by Albert Zuckerman
Plot and Structure by James Scott Bell
Writing Mysteries by Sue Grafton
Structuring Your Novel, from basic idea to finished manuscript by Robert Meredith and John Fitzgerald
The First Five Pages by Noah Lukeman
Simple and Direct by Jacques Barzun

There are many, many others, but this would be a good start.

Me: What else would you like for readers and writers to know?

BD: If you're a reader, and you enjoy what you've read, spread the word. This is especially true in the CBA market. If we do not support the writers we enjoy, they cannot continue to write. And in a world that truly needs what Christians can give, that would be a shame.

If you're a writer, work at the craft. If you're a pre-published writer, work at the craft. In either case, it helps to raise the bar for all of us.

Thank you, Karri for the chance to reach your readers. I've enjoyed it very much.

Me again: You're very welcome. I had fun as well. God bless you!

Rene Gutteridge's new novel, Scoop

My review:

I give grande kudos to the author for fabricating another realistic and winning tale. Her laid-back style and easy wit draw me into all of her stories.

Hayden Hazard’s parents, owners of the Hazard Clowns, are found dead while on vacation, leaving a huge hole in the family. Soon afterwards, the seven Hazard children meet together to discuss the family business’ fate. Hayden’s oldest brother has sold the company. As a result, sheltered Hayden must look for a new job and find her purpose in life. She receives this sage advice from her sister Mack: “Blessed are the flexible, for they shall not be bent out of shape.” Easy for her to say.

Fast-forward five years. Hayden is interim assistant for Channel 7 News’ Executive Producer, Hugo Talley. He struggles with anxiety and it’s no wonder—he has an aged anchor who doesn’t realize how old she looks on TV, a womanizing dolt for a weatherman, a too-nice God-spouting assistant (Hayden), and reporter Ray Duffey, who keeps to himself, but doesn’t ever get the good stories. To describe the news team as wild and crazy is an understatement. With each approaching dilemma, Hugo feels as if he may go over the edge. Will Hayden’s presence help or hinder the unstable atmosphere in the newsroom?

This wacky ensemble and a wonderful story line made for many out-loud chuckles throughout the book. I love the author’s ability to explore serious spiritual issues and couch it with humor.

Many of us who work outside the home must deal with people of varied personalities and faiths. This novel explores what real Christianity might look like in the workplace, and how different people respond to it.

I highly recommend this extremely well written and engaging book.

1. Tell us about how your love for books and writing got started.

It really began with a love for reading. I loved to read as a child and read as much and as often as I could. Then one day I decided to try to write. My parents had bought me an Apple computer and I just couldn't stop
myself from writing story after story!

2. What is your favorite genre to read/write?

I don't have a favorite genre to read. I really like to mix it up. And as for writing, I like suspense and comedy equally. It balances everything out for me. (I know, sounds very politically correct!)

3. What are the similarities and differences in writing screenplays and writing novels?

The similarities are that both need to have great characters, great plot, great pacing, great dialogue...essentially a great story. The bigdifference is that screenplays are heavily based on dialogue whereas novels can elaborate with description and get inside the characters' heads. To read a screenplay, you've really got to fill in the blanks and let your mind imagine where and what and who, and novels give you all that.

4. When did you start to dream about being a "full-time novelist" (or did you)?

It never occured to me that I could make a living at writing until I was nearly finished with college. For me, it was a hobby, but one that I was really immersed in. I think had I had a vision to do it as a living, I wouldn't have learned as much because I would've been worried about publishing or selling a script. But once I thought I could do it, then I learned the business side of things.

5. How do you get your creative juices flowing onto the page?

It doesn't take much when I've got a good story to work with. When things aren't flowing, I have to examine the story and see what's going wrong. And occasionally, it's simply that I'm tired and overworked or stressed about other things in my life.

6. What is your favorite and least favorite part of writing?

My favorite part of writing is nailing it, whether it's a character, a passage, a string of dialogue, a metaphor...I love when I slap my hands together and know I popped something good out. The bad part of writing is when I never get to slap my hands together for days on end...

7. What kind of responses do you want to see from people as a result of reading your work?

Spiritually, I would love for people to reconnect with God, to search for Him, to find Him, to get to know Him again. I also like to entertain people. I love that my books can do that without exposing people to things that they may not want to be exposed to. Creating entertainment that is clean yet riveting is a big challenge.

8. Why do you think fiction is such an effective way to reach our hearts?

It helps us understand ourselves and others. When we can get into another person's story and see that they're very much like us, it connects us.

9. Name a few important milestones along the way to publication that you will never forget (good or bad).

The first, of course, was getting that phone call that a publisher wanted my first book. I don't think anything has quite topped that feeling. I'll never forget it. Along the way, the milestones have been personal. And surprising. Sometimes I achieve things I didn't ever dream were possible. I suppose some bad milestones are that sometimes I feel a little too overworked to enjoy this wonderful adventure. I am trying really hard to balance everything, but sometimes there are projects that I love so much I'm willing to put in the extra work. There really are very few bad milestones. They are mostly positive.

10. I can't wait for the next book in the series. Tell us a bit about it.

My new series, "The Occupational Hazards", starts with a book called Scoop. This is a comedy series about a clan of homeschoolers who must shed their sheltered life in pursuit of jobs. Scoop starts with Hayden Hazard, who lands a job at a local news station. The next book, Snitch, is about undercover police officers. I think this series is going to be a lot of fun for readers. Those who liked the "Boo" series will really enjoy it, but I think my suspense readers will like this series, too.

Thanks so much for your time, Rene. I'm sure there will be plenty of fans of this series. It started off with a hit--I'm definitely a fan.

Please visit Rene's website for more information on her books: Rene Gutteridge
Also, find other great fiction here: WaterBrook Press

FIRST spotlight: Dark Hour, by Ginger Garrett and review

It is October 1st, time for the FIRST Day Blog Tour! (Join our alliance! Click the button!) The FIRST day of every month we will feature an author and their latest book's FIRST chapter!

This month's feature author is:

GINGER GARRETT

About the author:

Ginger Garrett is an acclaimed novelist and expert in ancient women's history.
Her first novel, Chosen, was recognized as one of the best five novels of the year by the Christian publishing industry. Ginger enjoys a diverse reader base and creates conversation between cultures.

In addition to her 2006 and 2007 novels about the most evil women in biblical history, she will release Beauty Secrets of the Bible (published by Thomas Nelson) in Summer 2007.

Ginger Garrett's Dark Hour delves into the biblical account of Jezebel's daughter and her attempt to end the line of David.

And now, a special Q&A with Ginger Garrett:

1.) First, tell us a bit about Dark Hour.

I was praying about what book to write after Chosen, and accidentally left my open Bible on the kitchen table. (A dangerous thing, since in my house, small children and large dogs routinely scavenge with dirty hands and noses for snacks!) As I walked past it, I saw a caption about someone named Athaliah and a mass murder. I stopped cold. I knew it was my story.

Athaliah was the daughter of Jezebel--a real woman in history--who tried to destroy all the descendents of King David in a massacre. God made a promise that a descendent of King David would always sit on the throne, and one day a Messiah would come from this line. If Athaliah succeeded, she would break the promise between God and the people, and destroy all hope for a Messiah.

One woman, her step-daughter, Jehoshebeth, defied her. She stole a baby during the massacre and hid him. Between them, the two women literally fought for the fate of the world.

2.) What drew you to write biblical fiction?

The similarities between the lives of ancient women and our lives. We get distracted by their "packaging," the way they dressed and lived, but at heart, our stories are parallel.

3.) How much time is spent researching the novel versus writing the novel?

Equal amounts, and I don't stop researching while I write. I have a historical expert, probably the best in the world in his field, review the manuscript and point out errors. The tough part is deciding when to ignore his advice. He pointed out that most everyone rode donkeys if they weren't in the military, but a key scene in the novel involves riding a horse to the rescue. It would have been anti-climatic to charge in on a donkey! :) So I ignored his advice on that one.

4.) Dark Hour takes its reader deep into the heart of palace intrigue and betrayals. Were parts of this book difficult to write?

I left out much of the darkest material I uncovered in research. It was important to show how violent and treacherous these times and this woman (Athaliah) could be, but I tried to be cautious about how to do it. The story was so powerful and hopeful--how one woman's courage in the face of evil saved the world--but the evil was depressing. I tried to move quickly past it. I wanted balance. Our heroine suffers and some wounds are not completely healed in her lifetime. That's true for us, too.

5.) What would modern readers find surprising about ancient women?

They had a powerful sense of the community of women. They also wore make-up: blush, glitter eyeshadow, lipstick, powder, and perfume! They drank beer with straws, and enjoyed "Fritos": ground grains, fried and salted. Many of our foods are the same today, but they loved to serve pate made from dried locusts, finely ground. Ugh!

Without further ado...here is the FIRST chapter of Dark Hour by Ginger Garrett. Judge for yourself if you'd like to read more!

(There is a prologue before chapter one regarding the birth of Jehoshebeth... Athaliah is not Jehoshebeth's biological mother.)

c h a p t e r O n e

Fifteen Years Later

HER BARU, the priest of divination, opened the goatskin bag and spread the wet liver along the floor, leaving a path of blood as he worked. Retrieving a wooden board and pegs from his other satchel, the satchel that held the knives and charms, he placed pegs in the board according to where the liver was marked by fat and disease. He turned the black liver over, revealing a ragged abscess.

Athaliah covered her mouth and nose with her hands to ward off the smell but would not turn way.

"Worms," her sorcerer said, not looking up. He placed more pegs in the board before he stopped, and his breath caught.

A freezing wind touched them, though they were in the heart of the palace in the heat of the afternoon. Athaliah cursed this cold thing that had found her again and watched the sorcerer search for the source of the chill before he returned to the divination. There was no source of wind here; in her chamber there was a bed, the table where her servants applied her cosmetics from ornate and lovely jars shaped like animals, a limestone toilet, and in the farthest corner so that no one at the chamber door would see it, her shrine. Statues of Baal, the storm god, and the great goddess Asherah, who called all life into being, stood among the panting lions carved from ivory and the oil lamps that burned at all hours. Here she placed her offerings of incense and oil, and here she whispered to the icy thing as it worshiped alongside her.

The baru watched as the flames in the shrine swayed, the chill moving among the gods. The flames stayed at an angle until one began to burn the face of Asherah. Her painted face began to melt, first her eyes running black and then her mouth flowing red. He gasped and stood.

"I must return to the city."

Athaliah stood, blocking him from his satchel.

"What does the liver say?"

"It is not good that I have come. We will work another day."

She did not move. He glanced at the door. Guards with sharp swords were posted outside.

"A dead king still rules here. You set yourself against him and are damned."

Athaliah sighed. "You speak of David."

The baru nodded and bent closer so no other thing would hear his whisper. "There is a prophecy about him, that one from the house of David will always reign in Judah. His light will never die."

"I fear no man, dead or living."

The baru continued to whisper, fear pushing into his eyes, making them wide. "It is not the man you must fear. It is his God."

Athaliah bit her lip and considered his words. She wished he didnít tremble. It was such a burden to comfort a man.

"Yes, this God. It is this God who troubles us. Perhaps I can make an offering to Him. You must instruct me. Stay, my friend, stay." She patted him on the arm, detesting his clammy flesh. "I have dreamed," she confessed. "I have a message from this God, and I must know how to answer Him."

The baru took a step back, shaking his head. "What is this dream?"

"A man," Athaliah said.

"Tell me."

"At night, when I sleep and the moon blankets my chamber, I see a man. He is not as we are: he is coarse and wild. He wears skins hewn from savage beasts, run round his waist with careless thought, and in his mind he is always running, ax in hand, running. I feel his thoughts, his mind churning with unrest, and he knows mine completely. I hear a burning whisper from heaven and shut up my ears, but he turns to the sound. A great hand touches him, sealing him for what lies ahead, and speaks a name I cannot hear, a calling to one yet to be. I try to strike this man, but all goes red, blankets of red washing down."

She licked her lips and waited, breathing hard. The baru nodded.

"You see the prophet of Yahweh, Elijah, who plagues your mother."

The baru began to reach for his goatskin sack. He picked up the liver and put it in the sack, keeping an eye on the door as he wiped his bloody hand on his robes. She knew he was measuring his steps in his mind, thinking only of freedom from here, and from her.

Athaliah grabbed his arm. "I let those who worship Yahweh live in peace. They mean nothing to me; what is one God in a land of so many? Why would this God send a man to make war on my mother and then claim me also?"

The baru narrowed his eyes. "This God is not like the others."

"How can we be free of Him?"

The baru thought for a moment then reached into his satchel. He pulled out a handful of teeth and tossed them on the ground at her feet. She did not move.

He squatted and read them, probing them with a shaking finger. She watched as the hair along his neck rose, and goose bumps popped all along his skin. The cold thing had wrapped itself tightly around him. She could see his breath.

"There is a child," he said. "The eye of Yahweh is upon this child, always. I must counsel you to find this child and kill it, for when it is gone, Yahweh would trouble you no more."

Athaliah murmured and ran her teeth over her lips, biting and dragging the skin as her thoughts worked back in time. "It is my daughter you speak of. Only a girl. But even so, I cannot kill her yet. I would lose my rights as the most favored wife. I will not risk my crown for so small a prize. No, I will find another way to get rid of her, and I will deal with this threat from Yahweh as I must."

Athaliah walked to her shrine and cleaned the face of Asherah. She could hear the baru scooping the teeth back into the bag. She turned with a sly smile, pleased that her mind worked so quickly even with the cold thing so near.

"My mother has already angered this God. We will let her have our problem. She has a talent for these things."

He had finished putting everything back into his two sacks and edged toward the door. She wondered if he would return. He was the best she had at divining dreams and saw in the liver so many answers. She sighed and tried to think of a word to reassure him.

"A farmer may own the field," she began, "but much work is done before a harvest is even planted. Stones are removed, weeds are torn free. We must break loose the soil and uproot our enemies so the field will be ready. On that day I will sow richly."

He managed a weak smile.

"Let your appetite grow, my friend," she coaxed. "The harvest is coming."

He fled so quickly she knew her words had been wasted, as all words were on frightened men. He would never return.

***

PRINCE JEHORAM nursed a silver bowl of dark wine and wished the business of inheriting a kingdom did not involve so much listening. He rubbed his beard, its thick clinging brown curls now flecked with gray. His beard was weathering his age better than the hair on his head, he realized, which had already surrendered to the assault of time, great gray streaks overtaking the brown. He knew his face was kind, though, not hardened or roughened by his years, but retaining a boyish appeal in his wry mouth and a small scar just under his left eye. Any woman could look upon him and see the child of mischief he once was. All women looked upon him and still thought to correct him.

He dined in a dim, private room with his advisers. The room was adjacent to the throne room, where he would one day rule, and was bare, save for an oil lamp on a low table. Cedar beams topped the limestone walls, giving the palace a sweet, smoky scent under the afternoon sun. The men sat around the table, scattered with maps, sharing a lunch of grapes, bread, wine, and cheese. Normally they would eat more, and in the dining hall, but the kitchen servants were busy preparing for the great send-off feast and it was easier to be served here.

Tomorrow, his father, King Jehoshaphat, would lead Judahís army north toward Israel and King Ahab. Together, the two kingdoms would fight their inconstant friend Ben-Hadad to end his trade monopolies. Ben-Hadad fought alongside them against the cruel Assyrians but turned often and claimed the richest of trade cities for himself.

"There are implications, my prince," Ethan said. Ethan was the tallest, and his skin turned red when he was angry, which was often. His temper had plagued him since he and the prince were boys, but now Jehoram no longer found pleasure in goading his friend. "If the kings succeed at Ramoth-Gilead against Ben-Hadad," Ethan continued, "and the proposed alliance is accepted, your father will have obligations both to the north and south. In this way, Ahab's kingdom will be strengthened by this victory, and your own kingdom will be compromised. Judah may weaken and fall at last to a king of Israel."

"I have married the daughter of Ahab," Jehoram replied. "I have given their daughter an heir and promised her the crown. I have curried the favor of the north well enough. They will not turn on me, for their own daughter is at my side." He tried to entertain himself with the food and wine while his advisers prattled on. He wondered what would be served at the feast tonight. If the servants' exhausted expressions were any indication, the spread would be remarkable.

"That is true, my friend," Ethan said. "But you are wrong to think this is Ahab's war. It is a woman who is shaping this new world. Think on this: What does the powerful Jezebel desire more than to bring glory to her own name? She wants the north and south reunited so that she may one day rule them both, a queen equal in power to Solomon."

Ethan smirked as he continued. "Everyone knows Ahab wears the crown but Jezebel rules. With Ahab and Jehoshaphat together in battle, their voices silenced for a time, Jezebel will be listening for yours. Let her know a lion roars in Judah. We will never be ruled by a woman, especially one who hides behind her husbandís crown."

Jehoram listened, running his tongue across his lips, catching a spot of wine resting just above his lip. Ethan was his truest friend, if a man about to wear the crown had one, but he was always ready for a fight. Jehoram preferred to suffer a blow and stay with his women and wine. He sighed. "Ethan, you look into darkness and see monsters, but I see only shadows. It has always been this way."

Ethan frowned. "We are no longer children hunting with our fathers at night. Listen to me, for I am the voice of God in your ear."

Jehoram turned his face away and crossed his arms. Then he sighed and reached for a bowl of grapes and began to eat. He did not like an empty stomach.

Another adviser bit into some cheese and leaned in. "Mighty Ethan is right. Jezebel wants to see you on the throne because of your union with her daughter Athaliah, but she is no ally. Listen to what I tell you: Something evil here stirs the water and watches."

"These voices of doom!" Jehoram yelled, slapping his bowl down on the table so that it spilled. "These voices and whispers, will they not cease?" He gripped his head and glared at the men. Each had but one wife and thought to advise him on his many? "You warn me against women, even my own wife, but they are women and nothing more!"

Ethan scooted closer to him. "Do not play the fool. Athaliah practices her strange magic and you slip under her spell little by little. There is still time to save yourself, and the kingdom, if you are indeed a man and king."

Jehoram rose and adjusted his robe around his shoulders, staring down at Ethan.

"Do even my friends turn against me now?" he asked.

"I have always been like a brother to you. I desire nothing but your good," Ethan said, rising. Jehoram held his temper and the two men glared at each other, breathing hard.

The adviser Ornat spoke. "May I address the future king of Judah?"

Jehoram nodded and sat, returning to his grapes. He glanced at Ethan and shook his head.

Ornat was new to his inner circle, an adviser Athaliah had recommended for his influence among the people who did not worship the God of Judah. She promised his voice would balance the harsh messages the others always gave. He had long, straight gray hair that always hung as if he had just come in from the rain. A magnificent bump crowned his nose, but it was the only remarkable feature about the man, a man who looked as if he were melting before their eyes.

"Good Jehoram," Ornat began, "the king knows you are a son who is not like the father. King Jehoshaphat has conspired with your brothers to ensure you never take the throne. They plot behind closed doors, taking their meals without you. I have heard the plans from my spies among the servants."

Jehoram felt his stomach churn at the accusation. He would not allow such ridiculous talk and raised his hand to dismiss the man at once.

The arrival of Athaliah interrupted them, and all bowed as she entered.

"Jehoram, I seek your face with a burden on my heart. Hear me and help me, my lord and husband," she said.

Jehoram looked at her a moment, his eyes having trouble adjusting to the light that streamed in when the door had opened. She stirred something in him, as she had from her first night in the palace, rain-soaked and announced by thunder, her sheer robes clinging to her tiny frame. She came bearing boxes of shrines and gods, like the dolls of a child, and she clung to them even in their bedchamber. She was the only wife who did not submit to his will, and he had found her exotic. Now she had grown, but his exotic pet was still wild, shaking off the customs and manners he tried to teach her. He knew she hungered, but not for him. His face burned with shame.

"Speak, Athaliah," he said.

"Your daughter has grown quite pale of late. I have seen this sickness before."

Jehoram sat up straight. Sickness in the palace would spread
rapidly, a threat as swift and fierce as any Assyrian.

"What sickness?" he demanded.

Athaliah smiled at him, then at the men reclining.

"Of course you do not understand," she said. "You are men. You have tended your kingdom well but neglected to see that your daughter has come of age."

Jehoram exhaled and sat back, an indulgent smile on his lips.

"And what remedy does this sickness crave?" he asked.

Athaliah bowed before Jehoram. "She must marry, my lord."

Jehoram waved his hand, a broad gesture. Here he could be master.

"I command, then, that she be married. If there is a commander well thought of, it would be an honor to give a daughter in marriage just before a battle."

Athaliah nodded, just once. He felt his victory slipping away.

"I have sent word to the north," Athaliah said, "to my mother's house, that a nobleman from my own home who serves in the ivory palace of my mother be given her. King Ahab has sent you his favorite daughter." She smiled. "Now let us send ours to him. It will be good for Jehoshebeth to hold your name ever before my father, Ahab. And Jezebel would relish a granddaughter so near."

Jehoram stopped and frowned. "It is Jehoshebeth you speak of? She is a special child to me. I would not have her sent north."

"But you have given the order that she be married. There is no one else worthy of her," Athaliah said.

Jehoram rubbed his chin and pretended to study a map. Finally, he shook his head. "I must think on this."

Athaliah bowed low, her eyes closed. "May the God you serve bless all your decisions, good Jehoram," she said. She straightened and looked at the advisers. Jehoram could not bear to see their eyes upon his bride, the only territory he owned and could not rule. He detected secrets moving between her and Ornat like a sudden spring bubbling up from a dark source. Only a few found it distasteful and turned away. Ethan was the first to scowl and return his glance to the prince.

"I will see you all at the feast tonight," Athaliah said as she left.
She wagged a finger at Ornat. "Take care of my good husband."

Jehoram slouched in his seat and returned to his grapes.

My review:
Hats off to this intriguing author of Biblical fiction. If you’re looking for a vivid and original retelling of a fascinating but disturbing Old Testament story, look no further. Dark Hour’s import will transcend the pages and touch your life.

Israel and Judah, though still God’s chosen, have parted ways and frequently war not only with the foreigners who surround them, but with each other. The two nation’s kings no longer seek God alone, prostituting themselves with strange gods. Jezebel, wife of King Ahab and nemesis of the prophet Elijah, isn’t the only woman making waves. Her daughter Athalia, married to the future heir to Judah’s throne, will stop at nothing to gain control of both nations.

However, another woman holds a secret that can change the course of evil and bring back the throne of Judah to the line of David, where it belongs. Will she risk her own life and those of her loved ones to save her country?

It has been a long time since the Bible has come so alive to me. When was the last time you read 2 Chronicles? It’s more exciting than you think. Dark Hour guarantees it.